Here, Again; The Autumn Equinox

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This poem was written for the Avebury Gorsedd; 24th September 2016

for everyone who was there, and for those who were not…

*

I’m here, again…

Come riding in, upon the western wave

My hair all wove with golden leaves, my breast

As pale as moonlight on a hidden grave

And all the sins of summer long confessed

I come, again…

In sweeping skirts, with white swan feathers strewn

To brush the summer dust from weary grass

Make ash of aspen, damp the flame of noon

Before the frost freeze water into glass

I bring, to you…

Windfallen apples, berries from the hedge

Long shadows on the barrows, and the chalk

Wild winds to stir the willows and the sedge

And mist, and myth, down every path you walk

I’m here, again…

The promise of the harvest to fulfil

The energy of autumn, streaming through

The swirling springs that spiral round the hill

To drench the land in red and russet hue

I come, again…

Between the longest day and shortest night

To fill the blood and marrow of your bones

With all the orange glory of the light

Before the dark descend upon the stones

I bring, to you…

A cornucopia of ripened fruit

Dark juices of the vine in bottles bright

To nourish soul and body, to transmute

Your thought to dream, your dream to second sight

For I am She…

Am Autumn writ, in every field and tree

Am mistress of the Owl and running Hare

So yield unto my kiss, and blesséd be

And dance with me, oh Druid, if you dare…

 *

@ Gail Foster 23rd September 2016

 

Marah and The Well

marah

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‘Twas dawn when Marah went down to the well

To fill her pail with waters bitter sweet

The sky, flushed pink with daybreak’s blooming swell

Made rosy dewdrops glimmer ‘neath her feet

The well was hard to find, and deeply hid

Within the sacred forest’s leafy fold

With ivy dressed, and writ upon its lid

In graven letters, words of wisdom old

Here water calls to water, here a stream

May conjured be by sorrow to a flood

Should tears like fishes fall and catch the gleam

Of sunlight, then shall water rise like blood

The air was still, unbroken by the lark

As Marah dropped her pail in to the dark

As Marah dropped her pail in to the dark

She held her breath, and watched it disappear

Stood firm, and stopped her heartbeat, lest a spark

Of morning’s glory light a single tear

But pain is force, that seeks to find a form

As hard to stem as ocean’s endless roll

And ‘spite her will, within her broke a storm

That rose unwanted from her ancient soul

Her tears burst forth, and waterfalls of streams

Flowed down and struck the surface of the deep

And as they fell were lit by glittered beams

Of sunlight, and the dead were woke from sleep

The waters rose, grew violent in their swell

Thus so did Marah ope the gate of hell

Thus so did Marah ope the gate of hell

Thus so unlock the door of death and birth

Unleash a tide too powerful to quell

Unloose the grief of all the souls of earth

Made waters rise, to breach the old well’s rim

Pour up, and drown the flowers in the grass

Caused birds to cease in flight, the sky grow dim

And clouds to form as shadows upon glass

She stood aghast, as heavy as a stone

As whorls of water swirled around her dress

Stood drowning in the forest there, alone

Too late to pray, to hope, or to confess

The waters closed above her sorry head

As Marah joined the legions of the dead

As Marah joined the legions of the dead

Her eyes began to fill with blood and light

With all the tears that man had ever shed

With all the dark and horror of the night

And floating past her, man and woman, child

All weeping, weeping, screaming in their pain

Possessed by loss and loneliness, gone wild

With disappointment, or the guilt of Cain

Here unborn souls, who died within the womb

Here mothers mourning infants took to death

Here those imprisoned, tortured to the tomb

Who cried for life with one last feeble breath

With those whose love was thwarted or dismayed

In one unending terrible parade

In one unending terrible parade

The labourers, the weary hungry poor

Those men who lost each pitch and toss they played

Who only spake the raven’s ‘nevermore’

With those stood on the shoreline when the Ark

Set sail for freedom and new hope of day

And those who, as they listened to the lark

Were by some wave or bullet took away

The blood of martyrs mingled with the tears

So sadly shed by all humanity

By souls lost to the night, who met their fears

On mountain tops, on roadsides, or the sea

So this is pain, thought Marah, here is shown

More sorrow here than I have ever known

More sorrow here than I have ever known

More pain than I could ever comprehend

And yet this pain in some sense is mine own

To rise above, to conquer, and transcend

And with this revelation, Marah rose

Up through the deeps, towards the hazy light

Unwove her being from the tangled flows

Flew through the waters like a climbing kite

Up, up she went, past all the weeping dead

And blessed them as she passed, for bless she could

Then broke the waters with her joyful head

And breathed the air that blew so fresh and good

Across the grass where once a flood had been

As if had been a mirage she had seen

As if had been a mirage she had seen

Seemed all the world just light, on rock and tree

All colourful, all shades of blue and green

And all that pain become but memory

She heard a whisper, soft within her ear

Go forth, and hold this lesson in your heart

You sought for answers, and you found them here

Now take them to the world and play your part

She picked her silver pail up, and she ran

The well sat silent, watched her fade away

Sat waiting, for another questing man

To learn its wisdom on another day

This is my legend, for ‘tis mine to tell

‘Twas dawn when Marah went down to the well…

*

© Gail Foster September 21st 2016

Oestrogen Mythology

*

Beware, for she writes poetry, and ye

Unwitting pilgrim, may become a king

Anointed at the new moon, in the spring

Within an oestrogen mythology

Take care, for she writes poetry, and thee

Good man, may move her blood and heart to sing

Be crowned with oak leaves, bound within the ring

Become her ovulation fantasy

She fair may be, but subject to the pull

Of hormones, gravity, and tidal flow

She makes her heroes, though unconsciously

From those who touch her when the moon is full

She’ll cry and tear her hair out when you go

And pen progesterone tragedy

*

© Gail Foster 7th September 2016

 

 

 

 

 

 

 

 

 

 

 

Beautiful Bitches (I See You, Girl); for Sarah Cox

Sarah Cox

*

I see you, girl, with your lovely face

Your painted lips, and your fiery grace

Scorching the earth with the steps you trace

Oh how we shine, how we shine

I see you girl, with your heart undressed

By pain of joy and sorrow blessed

All glory, and all sin confessed

Oh how we love, how we love

I see you girl, with the tear in your eye

Falling like sun in the rain from the sky

I see you girl, I hear your cry

Oh how we weep, how we weep

I see you girl, we are beautiful bitches

Mischievous muses, and angelic witches

And ours is the earth and all its riches

Oh how we burn, how we burn

*

© Gail Foster 2016

(photo courtesy of Sarah Cox)

Phoenix Rose; for Lisa Lewis

 

Lisa Lewis is the CEO of Doorway in Chippenham

She’s a legend.  Just don’t mess with her, right…

*

Don’t mess with Lisa, she’s a scary

Far out full on punky fairy

Crowned with violent flowers and sage

And riding on her harnessed rage

Through tangled wood and thorny bower

To speak unsubtle truth to power

Don’t mess with Lisa, man, she’s scary

Wise be wise and fools be wary

For she will tread where no man goes

To seek those things that no one knows

Expect no mercy if you cross her

Best be right and not a tosser

Don’t mess with Lisa, she’s so scary

Medusa crossed with Virgin Mary

Bottle, balls, and Occam’s razor

Prosecco, throttle up, and tazer

Wild light to make a diamond shy

And tears forbidden from her eye

Don’t mess with Lisa, man, she’s scary

That’s one well effective fairy

Pierced with wisdom to the bone

Dark metal angel stood alone

Feared and loved by all she knows

A phoenix, from the darkness rose

*

© Gail Foster 2016

 

My Arse; a Lament

Arse

*

I understand that getting old

Is just a stage we pass

But can anybody tell me

What happened to my arse?

It used to be quite lively

And a distance from the ground

Ashamed to say it though I am

It used to get around

It was nifty on the dance floor

And comfy on a chair

It was pert and it was bouncy

But now there’s nothing there

And what is there is saggy

And not worthy of remark

Not flattered much by moonlight

Disappointing in the dark

Inevitable, gravity

That’s what it’s all about

In some tired hotel lobby

My butt is checking out

Play a mournful serenade

Sound the final horn

‘Tis off, my sorry arse, beyond

The Tropic of Capricorn

If I’d have seen it leaving

I could have waved goodbye

Packed a flask and sandwich box

And had a little cry

Ageing, such a pantomime

A farce, a silly plot

“It’s behind you!” Not my arse it ain’t

It was, but now is not

So, don’t take your arse for granted

It’s for fun, and sitting on

Enjoy it while you’ve got one

‘Cos you’ll miss it when it’s gone

*

by Gail

Bride’s Mound; for Kathy Hope

Bride's Mount

*

Up on Bride’s Mound, where the sky meets the ground

Circle wheels within wheels, on a blue winter day

Child of the trees, of the stars and the breeze

How much we love her and want her to stay

Waft of incense on air, words of ritual prayer

Gentleness, blessing, children at play

They who confessed her, who laid out and dressed her

Scattering acorns, wormwood, and bay

No dark corner spared in the memories shared

Of the pain that she had before finding her way

Rivers of sound, through the harp, through the ground

Diluting the darkness, dissolving dismay

Herein is forgiving; the dead and the living

Made fresh by the scent of a rosemary spray

Such redemption and peace, in her final release

Leave us free to remember and love as we may

We are all of us here; she has nothing to fear

Her spirit has gone from the bier where she lay

As together we stand, on this green hallowed land

Holding dear Kathy Hope as we love her away

*

by Gail

Harriet’s Gift

For Harriet, and for Devizes; a poem for Advent

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*

Today, my dear friend Harriet gave to me

A tiny glittery nativity

Like Russian dolls, the size of half a thumb

A tiny Joseph Dad and Mary Mum

And Jesus, smaller than a fingernail

Such tiny things to tell so grand a tale

And as she pressed them in my hand her eyes

So bright and hopeful, old and kind and wise

Were simply brimming with that shining light

That fuelled the star that lit that mystic night

Some weeks ago, she gifted me a stone

Found on a beach where she had walked alone

All gold and smooth from rolling ocean’s wear

For me to hold in moments of despair

And there were candles then, that she had lit

Upon the table where we sometimes sit

And then, like now, I very nearly cried

So touched by all the love she has inside

If only love and Christmas were like this

All simple joy, delight and friendly kiss

All gentleness, all light and subtle sheen

Like all the things in her that I have seen

I wish you joy, like Harriet wishes me

A Christmas full of love; all blesséd be

*

by Gail

Katie Hopkins; Wild Redemption

 

Katie Hopkins, what a bitch

She really makes my innards itch

She’s paid to spit and vent her bile

Her views are simply crass and vile

The woman thinks that refugees

Should all die screaming in the seas

And now she is an educator?

Well, Brunel students sure don’t rate her

Poor Katie got no praise or thanks

Just fifty silent backs in ranks

Her thoughts upon the welfare state

Perceived to be just tosh and hate

They sent her straight to Coventry

A damned good place for her to be

She’s blaming social media

For everyone is wrong but her

Not like she’s a cow at all

Or cares if pride precedes a fall

As long as she still earns a wad

She’ll carry on like some bad God

Dispensing poison, spitting blood

Dragging free speech through the mud

In years gone by our ears would twitch

A mob would rise and kill the witch

But that was then, and this is now

Best to simply shun the cow

For centuries of love and learning

Persuade us Katie’s not for burning

She’s bound to go too far one day

For Karma’s not a bitch to play

Eternal justice, endless fall

Oh, Katie won’t like that at all

Forever with the evil dead, and

Haunted, by the things she’s said

*

Do you really want that, Kate?

It’s not too late to recreate

In love there’s simply no exemption

Just endless joy and wild redemption…

 

by Gail