Here Speaks The Magic Work Of Raymond John

Inspired by the writings of Raymond John Burt…

 

Here speaks the magic work of Raymond John

Intrigue in reference, delight in phrase

I’m curious as to what, my friend, you’re on

That powers your pen to so the mind amaze

Let he that has an ear be still and hear

Let she who has an eye seek out the light

For here some crazy wisdom doth appear

On wild wings of angels in the night

For Love and God and Death and Grace and Hell

Within your words take buttered toast and tea

More syllabub, Beelzebub?  Pray tell

What syllables might set the Sibyls free

Get thee behind me, ghosts, take flight, be gone!

Here speaks the magic work of Raymond John

 

© Gail from Devizes 2016

 

 

 

 

 

 

 

 

 

 

 

 

 

Farewell Father Jack; a clerihew

Father Jack is a character in an English/Irish sitcom called Father Ted, which is about Catholic priests living on an island. The joke of Father Jack is that he is always drunk and, when he is not being hidden from visiting clergy, just sits in his chair spitting expletives. Today Frank Kelly, the actor who played him so brilliantly, died. The English clerihew is a good form with which to pay him tribute.

So, farewell then, Father Jack
Let this be writ upon a plaque
“All things pass;
Drink, feck, arse…”

by Gail

Let Me In

 

Knock, knock, who’s there, and art thou friend or foe?

Why knockest thou at this ungodly hour?

I am the Light, whose face and word you know

I bring you sheaves of blossom trees in flower

So many moons have passed since we last met

How shall I know that it is really you?

I am the Light no darkness can forget

I bring you skies of bright and endless blue

Why comest thou, now I am nearly old

With fainting faith and blood flow slow and dry?

I am the Light, returning as foretold

I bring you Life, to raise you true and high

How glad am I, to see you at my door

Come, cast your crazy sunbeams on my floor

 

by Gail

 

 

 

 

 

 

 

 

Blossom Rising

On the deaths of Major John Cairns Bartholomew, of Wadworthshire,

and a much loved Devizes tree…

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Beneath a grey and monumental sky

In wild confetti clouds that dance in air

The blossom falls, all trees and men will die

However good, or beautiful, or rare

For years beneath the branches of that tree

Have lovers kissed and lonely mourners waited

All men and trees shall die, he, thee, and me

By that same force destroyed and yet created

The clattering of horses’ hooves, the sound

Of yeoman passing, ghosts that haunt the ears

All trees and men be gone into the ground

Till from the light new word of life appears

In red Victorian brick and petal glow

Are strength and beauty blended for our eyes

Good men and trees in season come and go

Such knowledge is the glory of the wise

Drink with your eyes each bright delight you see

And savour every moment of creation

For man will pass, and wind will fell the tree

And wine will fall on coffins in libation

If blood still flows like sap, then drain your glass

Enjoy the fleeting sunbeam in your ale

All trees and men will die, for all things pass

All moonlight fade, and colours turn to pale

Let hops be gathered, make of sunshine, hay

Add rosebuds, and ferment a heady brew

For trees and men shall certain pass away

As dark of midnight shadows summer’s blue

And soon enough, last orders will be rung

Sad flags will flutter half way up the mast

And dark laments for men and trees be sung

And rest be found for dear old souls at last

Learn wisdom, child, from ale and wood and bone

Brew love in barrels down in cellars deep

And find it there when you return, alone

To watch the man in blossom rise from sleep

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by Gail

The Curious Offering of the Sacristan

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The curious offerings of sacristans

Are given in obscure humility

The symbol of the cupping of the hands

Enshrines the essence of this mystery

The dawn unlocked; the turning of a key

The mystic world behind the little door

The mourning weepers, watching, silently

The quiet foot upon uneven floor

The layered shadowed centuries; the pass

Of long dead worshippers before the throne

Slow shifts of coloured pools of stains of glass

Soft drift of latticed light on pillar stone

The empty candle, thirsting for new oil

Unscrewed and filled, screwed up again and lit

The hidden corners, carved by masons’ toil

In which a wary flickered flame may flit

The covering, uncovering; each fold

Of linen and of altar cloth an art

Within the starch of white, on marble cold

The space to hold His living, beating heart

Here, understated wafers wait in line

For blessing, as an unblessed congregation

Here silver, water, light, and red wine shine

Anticipating sacred consecration

Here eye, and hand, and mind, seek symmetry

In objects placed, in psychic ebbs and flows

Seek that perfection only God can see

In right angle and scented mystic rose

When all are done and gone, her hands will shake

The fragments of His flesh on holy ground

Shed drops upon the earth its thirst to slake

Pour water through the light without a sound

When all are gone, all blessed with wine and bread

There, in the East, where better men have trod

She kneels and presses to the step her head

And, lost in awe, she speaks these words to God

I am that ancient soul you always knew

A part of you, from when time first began

The I am that I am, the that in you

That serves thee, as I will, while still I can

I come to you as Christian, Muslim, Jew

Agnostic, Gnostic, Druid, Angel, Man

In the cupping of my hands I give to you

The curious offering of the sacristan

© Gail Foster 2016

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This poem has been chosen as Poem of the Month at Sherborne Abbey

I’m thrilled

 

 

 

 

 

 

 

 

 

 

 

 

Dear Old Johnny Walter

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Here comes Johnny Walter, the old geezer on the bike

When he waves and says “Hello there” there’s not much not to like

He is kind and he is funny, and he’s full of Wiltshire wit

He remembers everybody’s name and gets about a bit

For a man of nearly eighty his humour is quite dry

Never underestimate the twinkle in his eye

A Moonraker, a character, an ancient Briton, he

Who reckons that his ancestors lived in Avebury

A child of New Park Street, who heard and smelled and saw

The weary trains of soldiers marching homewards from the war

Who, when he was a teenager, learned how to spin a spool

And hung out at The Palace, and was far too cool for school

Imagine all the movies that he showed throughout the years

How he moved an auditorium to laughter, shock and tears

Fifty years of pictures, all those newsreels and Bond

Folk walking home from Psycho, getting spooked out by the pond

Folk snogging in the back row, swapping hormones, spit and smoke

The porn, the pot, the popcorn, and the icecream, and the coke

Johnny hung out with the Mods, and took a scooter trip to France

And liked to watch the ladies, with a beer, at a dance

Until he married Margaret; ‘twas as his father said

“If you take her to the bedroom, you will end up in the bed”

Johnny didn’t mind at all when she with child fell

First came little baby Michael, and then Carolyn as well

And the cottage, out in Cheverell, where flowed a little stream

Happy years of family, a rural rosy dream

Until the day that Margaret was taken far too soon

Leaving Johnny on his own, to marvel at the chilly moon

He kept calm, and carried on, ‘cos he’s a solid sort of guy

Kids to bring up, work to do and not much time to cry

But to this day he misses her, puts flowers on her grave

One could call him stoical, or practical, or brave

Yet in his quiet moments, sometimes, silent tears fall

Better to have loved, he thinks, than not have loved at all

Kept calm and carried on, and bore his lot with love and grace

Always greeting friends with a bright smile on his face

He stirred the jam at Easterton, rang all the village bells

He filled the air with music and with sweetened fruity smells

He’s still batty in a belfry, still a jammy sort of cove

You’ll see him with his faithful dog, with whom he likes to rove

You might think he’s a boy racer, in his go fast stripy car

He knows who’s who, and who does what, and where wild flowers are

He has grandchildren, great grandchildren, a garden, and some fish

He has the sort of life for which most decent folk would wish

He is full of Wiltshire wisdom, in a quiet sort of way

You’ll see him thinking carefully about what he should say

When he meets you in the street, and doffs his syrup and his hat

And asks after your family, your garden, and your cat

He has some little sayings, gleaned from years of Wiltshire lore

But doesn’t always understand what certain words are for

He can sometimes drop a clanger, with no malice or intent

And once he even asked me what ‘bisexual’ meant

“We’re all different” he says, “it just don’t do to be the same

Tubs should rest on their own bottoms, for the best chance at the game”

He is a loyal friend to many, and a much belovéd Dad

Just the kindest lovely man that Wiltshire ever had

 ‘Tis true that good things come in some unusual disguises

Like dear old Johnny Walter, gentle spirit of Devizes

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by Gail

My Arse; a Lament

Arse

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I understand that getting old

Is just a stage we pass

But can anybody tell me

What happened to my arse?

It used to be quite lively

And a distance from the ground

Ashamed to say it though I am

It used to get around

It was nifty on the dance floor

And comfy on a chair

It was pert and it was bouncy

But now there’s nothing there

And what is there is saggy

And not worthy of remark

Not flattered much by moonlight

Disappointing in the dark

Inevitable, gravity

That’s what it’s all about

In some tired hotel lobby

My butt is checking out

Play a mournful serenade

Sound the final horn

‘Tis off, my sorry arse, beyond

The Tropic of Capricorn

If I’d have seen it leaving

I could have waved goodbye

Packed a flask and sandwich box

And had a little cry

Ageing, such a pantomime

A farce, a silly plot

“It’s behind you!” Not my arse it ain’t

It was, but now is not

So, don’t take your arse for granted

It’s for fun, and sitting on

Enjoy it while you’ve got one

‘Cos you’ll miss it when it’s gone

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by Gail