Marah and The Well

marah

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‘Twas dawn when Marah went down to the well

To fill her pail with waters bitter sweet

The sky, flushed pink with daybreak’s blooming swell

Made rosy dewdrops glimmer ‘neath her feet

The well was hard to find, and deeply hid

Within the sacred forest’s leafy fold

With ivy dressed, and writ upon its lid

In graven letters, words of wisdom old

Here water calls to water, here a stream

May conjured be by sorrow to a flood

Should tears like fishes fall and catch the gleam

Of sunlight, then shall water rise like blood

The air was still, unbroken by the lark

As Marah dropped her pail in to the dark

As Marah dropped her pail in to the dark

She held her breath, and watched it disappear

Stood firm, and stopped her heartbeat, lest a spark

Of morning’s glory light a single tear

But pain is force, that seeks to find a form

As hard to stem as ocean’s endless roll

And ‘spite her will, within her broke a storm

That rose unwanted from her ancient soul

Her tears burst forth, and waterfalls of streams

Flowed down and struck the surface of the deep

And as they fell were lit by glittered beams

Of sunlight, and the dead were woke from sleep

The waters rose, grew violent in their swell

Thus so did Marah ope the gate of hell

Thus so did Marah ope the gate of hell

Thus so unlock the door of death and birth

Unleash a tide too powerful to quell

Unloose the grief of all the souls of earth

Made waters rise, to breach the old well’s rim

Pour up, and drown the flowers in the grass

Caused birds to cease in flight, the sky grow dim

And clouds to form as shadows upon glass

She stood aghast, as heavy as a stone

As whorls of water swirled around her dress

Stood drowning in the forest there, alone

Too late to pray, to hope, or to confess

The waters closed above her sorry head

As Marah joined the legions of the dead

As Marah joined the legions of the dead

Her eyes began to fill with blood and light

With all the tears that man had ever shed

With all the dark and horror of the night

And floating past her, man and woman, child

All weeping, weeping, screaming in their pain

Possessed by loss and loneliness, gone wild

With disappointment, or the guilt of Cain

Here unborn souls, who died within the womb

Here mothers mourning infants took to death

Here those imprisoned, tortured to the tomb

Who cried for life with one last feeble breath

With those whose love was thwarted or dismayed

In one unending terrible parade

In one unending terrible parade

The labourers, the weary hungry poor

Those men who lost each pitch and toss they played

Who only spake the raven’s ‘nevermore’

With those stood on the shoreline when the Ark

Set sail for freedom and new hope of day

And those who, as they listened to the lark

Were by some wave or bullet took away

The blood of martyrs mingled with the tears

So sadly shed by all humanity

By souls lost to the night, who met their fears

On mountain tops, on roadsides, or the sea

So this is pain, thought Marah, here is shown

More sorrow here than I have ever known

More sorrow here than I have ever known

More pain than I could ever comprehend

And yet this pain in some sense is mine own

To rise above, to conquer, and transcend

And with this revelation, Marah rose

Up through the deeps, towards the hazy light

Unwove her being from the tangled flows

Flew through the waters like a climbing kite

Up, up she went, past all the weeping dead

And blessed them as she passed, for bless she could

Then broke the waters with her joyful head

And breathed the air that blew so fresh and good

Across the grass where once a flood had been

As if had been a mirage she had seen

As if had been a mirage she had seen

Seemed all the world just light, on rock and tree

All colourful, all shades of blue and green

And all that pain become but memory

She heard a whisper, soft within her ear

Go forth, and hold this lesson in your heart

You sought for answers, and you found them here

Now take them to the world and play your part

She picked her silver pail up, and she ran

The well sat silent, watched her fade away

Sat waiting, for another questing man

To learn its wisdom on another day

This is my legend, for ‘tis mine to tell

‘Twas dawn when Marah went down to the well…

*

© Gail Foster September 21st 2016

bromham fields

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autumn rainbows stripe

vegetable september

across bromham fields;

roundway island, hazed in mist

on a marrow orange sea

wiltshire sunbeams fall

gold on the cockle pickers

green fields, fishermen;

down fruit littered ditches glint

glitter strewn rivers of light

 *

© Gail Foster September 16th 2016

 

The Chemistry Of Lucre Is Not Strange

On Radio 4 this morning, plastic fivers…

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So, money doesn’t grow on trees no more

For some of us it never really did

The rich grow ever richer, and the poor

Still grovel for a poxy flippin’ quid

The launderers shall rub their hands with glee

‘Tis easy now to wipe clean, and to wash

The dirty money in the treasury

The grime of crime from shiny plastic dosh

Old money will still glint of ancient gold

New money will still boast itself and flash

And diamonds shine, and lead be dark and cold

As ever was, the alchemy of cash

The chemistry of lucre is not strange

The rich stay rich, and for the poor, no change

*

© Gail Foster 13th September 2016

 

Facebook Flirt

*

There’s a voyeur in the foyer, and you let him in

No use complainin’ that he’s lookin’ at yer quim

When you’re the one who’s flashin’ as yer dancin’ in the dirt

With yer skirt tucked in yer knickers

Facebook Flirt

There’s a pervert in the pantry, and you let him in

Now he’s lurkin’ by the gherkins with a sinister grin

Yer buns were on the windowsill!  Yer key was in the door!

Now who’s made a cock up

Facebook Whore

*

© Gail Foster 9th September 2016

Oestrogen Mythology

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Beware, for she writes poetry, and ye

Unwitting pilgrim, may become a king

Anointed at the new moon, in the spring

Within an oestrogen mythology

Take care, for she writes poetry, and thee

Good man, may move her blood and heart to sing

Be crowned with oak leaves, bound within the ring

Become her ovulation fantasy

She fair may be, but subject to the pull

Of hormones, gravity, and tidal flow

She makes her heroes, though unconsciously

From those who touch her when the moon is full

She’ll cry and tear her hair out when you go

And pen progesterone tragedy

*

© Gail Foster 7th September 2016

 

 

 

 

 

 

 

 

 

 

 

The Jester’s Tea Party

Simon Griffiths at The Round Tower, Frome; a poetic review

Images may not be reproduced without the express permission of Simon Griffiths http://www.simonjgriffiths.com

*

I went to The Jester’s Tea Party

In the tower with the winding stair

Frida Kahlo manned the door

And God and the Devil were there

The artist was stood in the shadows

Silently summoning me

To stand with him like a tiny child

At the edge of an innocent sea

He showed me the sadness of circuses

And the violent colours of night

Swept by the brush of his sorrow

Upon canvases heavy with light

He showed me the bones of roses

Strewn on a luminous land

Yama and Dali and Karma and Kali

A heart in a mannequin’s hand

He showed me a skull full of sinister dolls

The ink on a baby’s skin

The wild provocation of beauty

And the unsubtle presence of sin

He showed me unusual clichés

Arranged in original ways

Dudes in the gloom of a glorious doom

Rocking the Ancient of Days

He showed me a girl with an earring

A boy sat alone with a scream

The mischievous mosh of Breughel and Bosch

Through acrylic satirical dream

He showed me the judgement of jesters

The torments of transient lust

The whirling of dervishes whipping up wind

The imprints of pride in the dust

As he showed me his rainbow emotions

His passion, and bright neon grace

Solemn tears came tumbling down

His secret and hidden face

When I asked for the key to his magic

To his powerful mystical prayer

He turned

In silence

And pointed to

The lonely clown on the stair

 …

‘Tis time to face the darkness

The words of the flyer had said

In Simon Griffiths’ art I found

The light of his soul instead

 *

© Gail Foster 2016

 

Confetti; a Devizes wedding

Confetti; Kirstine Carr

Every year, during Carnival in Devizes, we have a Confetti Battle…

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We dance in town, as bright confetti falls

Upon our hallowed ground, we move as one

The old and young among the market stalls

All blessed by Ceres and the setting sun

We move as one, we laugh, we catch the light

In coloured flickers deep within our eyes

A cloud of happiness, a merry flight

Of beautiful beribboned butterflies

We dance in town, bedecked like bridesmaids gay

Our hair all strewn with prettiness and joy

Our cares for one brief moment blown away

We move as one, man, woman, girl and boy

As, blessed by Ceres in her wedding gown

We all, as one, are married to our town

 *

Sonnet and photograph of Kirstine Carr

© Gail Foster 2016

 

Tarquin Botley’s Hole

hole

Take that, ‘Tarquin’, for your mischievous poem about digging…

*

Tarquin Botley was confused

Dishevelled and dismayed

How can you dig a hole with ‘owt

You cannot call a spade?

He’d really dug a lovely hole

A fork had come in handy

And then some faffing with a hoe

Had made the rim look dandy

It sure was an amazing hole

‘Twas dark and deep, inviting

The making of it had been hard

The end result exciting

Quite why he’d dug it wasn’t clear

At some point he’d said ‘F*ck It’

Had armed himself with beer, and

His very favourite bucket

Then he started, then he finished

Then he stood, in thought, beside it

Not quite sure next what to do

To fall right in, or hide it

For how do you explain a hole

Discreetly and politely

Without referencing arseholes

Or the once a week, or nightly

Now Tarquin was a tactful cove

Politically correct

He stood there thinking by his hole

All noble and erect

Till he came to a conclusion

That is popular with men

I’ll fill it up, and then I’ll come

And dig it out again

 *

© Gail Foster 22nd August 2016

Owen Smith Doth Take The Pith

*

I’m not impressed by Owen Smith

Methinks that he doth take the pith

Just wasn’t sure until today

What moved me so to feel this way

 …

Today; the leadership debate

I didn’t have too long to wait

Once you’ve seen it, it’s distracting

Owen Smith is over-acting

See him roll his sleeves up there?

He’s channelling a bit of Blair

Then he’s Harry Potter, then

He’s Brutus dressed as Mister Benn

Jazz hands.  What’s that all about?

Turn it down, no need to shout

For no-one needs a politician

Who thinks he’s at a Glee audition

Now Jeremy, he plays it calmer

More yer kitchen sink type drama

Monochrome, with moody stare

More Alan Bennett, to be fair

Owen’s acting sounds to me

Like desperate soliloquy

His every cliché rings a bell

And all his soundbites bore as well

I reckon Owen Smith’s a fake

He’s on the stage the pith to take

Off, off, and let the curtain fall

I don’t trust Owen Smith at all

*

© Gail Foster 18th August 2016

The Widow At The Well

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A rhyme about love and bereavement and loneliness, inspired by the loss of my computer for nearly a whole day, and dedicated to Chris Greenwood, who kindly mended it for me

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She finds herself without him, at the dawn

A crumpled crazy angel weeping light

The cord that bound them severed with a bite

A bloodied mewling kitten newly born

He was the sun, that stimulated morn

The moon, that soothed the melancholy night

He was her inspiration, the delight

Of glittered stars upon the heavens drawn

She finds herself without him, at the well

A widow weeping willowfalls of tears

Of grief as heavy as a drowning stone

The silence breaks; soft rings a sudden bell

And on the solemn deeps a face appears

That whispers ‘All things come and go alone’

*

© Gail Foster 2016