My Muse Looks Like Morrissey

For Steve Doolan

*

The mysteries of muses lie within the hands of fate

Your muse may be your lover, or your muse may be your mate

The stranger on the corner, or the friend you used to know

The somebody you’ve never met who makes your juices flow

The one who sang the joyful song that set your heart alight

The one who wrote the rhyme that left you crying in the night

The ways of love and poetry defy all sense and reason

But every rhyme will have its day, and every love its season

The comedies of muses tickle mischief from the pen

Therefore the fates have given me a wonder amongst men

A muse who looks like Morrissey.  It’s true, I kid you not

I only chucked a line or two and this is what I got

Apparently it’s good for when one’s pulling on the lash

Or busking on the corner when one’s rather short of cash

I’m confused, and yet besotted, I am this, and I am that

Anyone but Morrissey.  I just can’t stand the twat

The irony’s amusing, though, I’m moved to write a rhyme

The difference between the two is really quite sublime

One will make you slit your wrists or have a little cry

The other stir your ass upon the dance floor till you die

One drones on and on and makes a proper old palava

The other shows, not tells, a bit more like your Raymond Carver

One is needy, wan, and wafty, like a pampas in the yard

The other, slightly weedy, yes, but dare I say it…hard

Oh, the mysteries of muses are a monster to define

I’ve ended up with one that looks like Morrissey as mine

For a moment, or a season, none may know or yet can say

But I shall take his inspiration, for a year or a day

And his rampant positivity and witty observations

On the ins and outs of Haworth, Keighley, and the other nations

For the bugger has me heart aflame and all me neurons fired

Sigh.  He looks like Morrissey.

He’s hired.

 *

© Gail Foster November 12th 2016

If the reader is unfamiliar with the work of Morrissey

or is simply up for a good laugh

just check out the music video ‘November Spawned A Monster’…

Plump Fruits; for a randy friend

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Ha ha, Girl, you know who you are…

*

I meet her sometimes when I’m walking

She’s as ripe as the fruit in the hedge

Today on the corner, she’s talking

Of the virtues of sex, and of veg

 …

She shows me her favourite carrot

Like a rabbit, she says, oh I see

I’ve read about those in me garret

They look a bit scary to me

My voice gets her all of a flutter

Oh bless her, so randy, but sweet

Like the apples she turns in to butter

And the jam that she makes for a treat

 …

We both prefer men, she’s just flirty

And her light innuendos are fun

Next to her I feel slightly less dirty

And more like a well behaved nun

 …

Oh, she fizzes like sherbet fountains

And no rose be as fresh, or as pink

And as for the plump of her raspberries, well

I’d best leave it there, I think

 *

© Gail Foster 28th October 2016

 

 

 

 

 

 

 

 

 

 

 

 

 

Guilty Tory Crush; Kenneth Clarke

for Jemma Brown

 *

Alas, alack, I am undone, upon my cheek a raging flush

For I’ve discovered, oh what fun, I have a guilty Tory crush

You’d think, you would, a girl like me, a wafty lefty sort of bint

Would fain bestow her fancy free on someone of a redder tint

 …

On Dennis Skinner, him, perhaps, or Livingstone, you might presume

Or younger, pinker, backbench chaps, some decades nearer to the womb

But I’m for Clarke, for Old Blue Ken, a Behemoth of an MP

That wonder amongst Tory men; Kenneth Harry Clarke QC

 …

Girl, you say, you’ve lost the plot, the bloke’s a cad, a Tory cove

But I say Ken is steaming hot, unlike yer Howard, or yer Gove

But Girl, you say, he’s of the Right!  It’s wrong, so wrong, in many ways

Come back, come back, in to the light!  This thing for Ken is just a phase

 …

Much like the Mosley years, I say (which episode was far from jolly)

Oh that, well, mmm, a tough one, hey, I’ll put it down to youthful folly

But Girl, our Kenneth’s not yer man, he’s not your type, your type at all

And come the day shits hits the fan he’d have you first against the wall

Er…

God help me!  Look how dextrously he fondles that big fat cigar

Kenneth, take a turn with me, in some cool posh flash racing car

Or take me, twitching, in your hide, or show me how to dance to jazz

What price street cred, left wing pride, who cares when you’re as randy as

 …

Oh, Ken, Your Corpulence, you’re cute, your chubby cheeks are so disarming

The way you burst out of your suit; so boyish, and so fatly charming

You’re bad!  You’re good! You speak your mind!  But really, here’s the nub of it

A forthright man is hard to find, and frankly

You don’t give a shit

 *

© Gail Foster 21st October 2016

 

(Oh come on, girls you must agree, he’s got it goin’ on, has Ken

Just Jemma Brown?  Just her and me? Much more of Ken for us two then

Bags me first dibs then, Jemma, hey, you can have him when I’m done

I’ll have him early in the day, and you can have a later one

He likes a pint or two, you know, well rather more than that methinks

Me, I’ll have his morning glow and you can take him out for drinks

But maybe, mate, one at a time, no threesomes, even though you’re lush

Ha ha Jemma, here’s yer rhyme, about my guilty Tory crush)

 

 

 

 

 

 

 

The Fall of Camelot

*

Down where the bins were overflowing

On concrete where the cracks were showing

As weary winds came slowly blowing

A manky crow began a-crowing

Songs of Camelot

Through window dim the lady saw it

Heard it, and could not ignore it

Acknowledged, there was nothing for it

She had lost the plot

 …

She blamed the mirror, false perceptions

Embarrassingly dire reflections

Figments of her own deceptions

Misread signals, misconceptions

And bloody Lancelot

And other knights, they’d all been arseholes

Shites wrapped up in pretty parcels

Crawling back to rule their castles

When the day grew hot

And Good Sir That, and Good Sir This

She’d let them all just take the piss

So grateful was she for a kiss

Or any scrap of earthly bliss

That scraps was all she got

The last one, oh, he’d been a giver

Until the day when, all-a-quiver

He caught a catfish in the river

And her love forgot

Enough, she said, enough projections

All of you, take your rejections

Yer fish and shit, and your erections

Faithless hearts, and imperfections

For I like you not

With that she fastened up the latches

Made a bonfire, found some matches

And, as was mentioned in dispatches

Blew up Camelot

*

© Gail Foster 11th October 2016

Facebook Flirt

*

There’s a voyeur in the foyer, and you let him in

No use complainin’ that he’s lookin’ at yer quim

When you’re the one who’s flashin’ as yer dancin’ in the dirt

With yer skirt tucked in yer knickers

Facebook Flirt

There’s a pervert in the pantry, and you let him in

Now he’s lurkin’ by the gherkins with a sinister grin

Yer buns were on the windowsill!  Yer key was in the door!

Now who’s made a cock up

Facebook Whore

*

© Gail Foster 9th September 2016

Tarquin Botley’s Hole

hole

Take that, ‘Tarquin’, for your mischievous poem about digging…

*

Tarquin Botley was confused

Dishevelled and dismayed

How can you dig a hole with ‘owt

You cannot call a spade?

He’d really dug a lovely hole

A fork had come in handy

And then some faffing with a hoe

Had made the rim look dandy

It sure was an amazing hole

‘Twas dark and deep, inviting

The making of it had been hard

The end result exciting

Quite why he’d dug it wasn’t clear

At some point he’d said ‘F*ck It’

Had armed himself with beer, and

His very favourite bucket

Then he started, then he finished

Then he stood, in thought, beside it

Not quite sure next what to do

To fall right in, or hide it

For how do you explain a hole

Discreetly and politely

Without referencing arseholes

Or the once a week, or nightly

Now Tarquin was a tactful cove

Politically correct

He stood there thinking by his hole

All noble and erect

Till he came to a conclusion

That is popular with men

I’ll fill it up, and then I’ll come

And dig it out again

 *

© Gail Foster 22nd August 2016

Casting Stuff On the Waters

*

He cast a crouton on the water

Watched it sog upon the swell

What came back was lava bread

And Chelsea buns as well

She threw in an expensive cake

‘Twas softer than a futon

But what came back upon the waves

Was just a soggy crouton

© Gail Foster 2016

The Publican and the Pharisee

 

*

The Publican and the Pharisee went for a walk after church

One wore pride and majesty, the other the marks of the birch

“I say, my man,” said the Pharisee, “will you tell if I come to your inn?”

“My lips are sealed,” said the Publican “let us sup of the wine of your sin”

The Publican and the Pharisee quaffed back a couple of jars

And then another two, then three, for such is the way in bars

And as they drank their wine, an odd phenomenon occurred

The crown of hubris lost its shine, the marks of the birch became blurred

“I say, my man,” said the Pharisee, “I’m feeling a little queer”

The Publican chuckled, mischievously, “Time for some shorts, and some beer”

The Pharisee, unused to drink, began to loose a screw

Became dishevelled, sweaty, pink, made a desperate run for the loo

Got locked in for a while, and had to crawl under the door

Got stuck, well hey, you have to smile, for half an hour or more

Was rescued by some rugby blokes, who loaned him some spare kit

And made up lots of witty jokes, about Pharisees covered in it

The Publican, sat at the bar, surveyed his sorry state

He wondered if he’d gone too far, in setting up his mate

“Just sit,” he said, “and listen well, for this I have to say

If I am surely bound for hell I’ll meet you on the way

You are no better, Sir, than I, no better, and no worse

Your spiritual wealth is an arrogant lie, and your pride is a cardinal curse

I’m no angel, I confess, but hypocrisy, mate, I abhor

I reckon I should grovel less, and you just a little bit more”

The Pharisee gave a little nod, and hiccupped in assent

Muttered softly “Sorry God”, and got his coat and went

The Publican then rang the bell, poured out a short, and sat

“Oh come on, God, you know the bloke, he really asked for that”

*

© Gail Foster 2016

The Return of the Gay Knight

For my friends in the BM, and for Will; a fairy tale

*

To a fanfare of horns

The young knight returned

With a tale of slain dragons to tell

The princesses blushed

And the old queen flushed

And the gay knights were happy as well

He had cast down his cross

From the height of his hoss

And left the thing there where it fell

For the great and the good

Were in need of the wood

To stoke up the fires of hell

He’d only been back for a moment before

He was begging a poke with a pardon

And a giggle, and “Push!”

From a quivering bush

Could be heard from the end of the garden

No need for a graven memorial stone

Or the ring of a funeral bell

The young knight was back

And well up for the crack

And all in the kingdom was well

*

© Gail Foster 2016