Guilt and Shame in the Market Place

*

The sun bore down on the Market Cross, where Guilt and Shame were sat

Guilt was clad in a penitent’s rags, and Shame wore a dunce’s hat

The steps were strewn with sticks and stones, and faggots had been lit

And smoke rose up to the pinnacles where shadows of psychopomps sit

“It was you,” said Guilt to Shame, “‘twas you, that brought us to this place”

Shame hung her head as her cheek bled red from the whip of the flame on her face

“‘Tis maybe true,” said she to Guilt, “for I was ever this

Destined to burn in the Market Place for the sake of a stolen kiss”

Guilt fell silent, angry tongues flicking ire in the light of his eye

“‘Twas you as well, my love,” she said, “who brought us here to die”

Then she fell silent too, as snakes of flame hissed in her hair

And the stench of smoking human flesh pervaded the summer air

Above the Cross the sun bore down, and the wheels of justice turned

Guilt and Shame in the Market Place; by terrible passion burned

© Gail Foster 2016

 

 

 

 

 

 

 

 

 

 

Racist Bloke

*

I had a racist boyfriend once, we’ll call him ‘Racist Bloke’

I dealt with the whole ‘racist thing’ by making it a joke

I used to call him out on it, and then I just gave in

Discarding my morality like fag ends in the bin

“Never argue with a bigot” I would laugh, and make the tea

“I’m not a racist” he would say “it’s witty parody”

It just got worse and worse, until we couldn’t watch the news

“Dirty Muslims this,” he’d say, “those filthy effing Jews”

I’d leave the telly off in case the sight of one black face

Would flush his chain and cause him to start ranting about race

And start blaming all the women who had ever given birth

In the dry and deadly desert, for the failings of the earth

He’d read up on the history of Jews throughout the ages

(it took him quite a while as there were quite a lot of pages)

Liked to rant about the Rothschilds, thought he’d got me with their riches

Expecting me to then agree that Jewish girls were bitches

“Women” he would say, “just shouldn’t have to wear the veil”

As if veil equalled jihad equalled every Muslim male

He was bad enough when sober, but when drunk it was profound

He’d be pissing venom down the pub like urine on the ground

He’d reduce a room to silence, and could empty out a bar

With his verbal racist violence, going further than too far

And then he’d order curry, oh he liked a bit of that

“Hey, did you know Mohammed was from some dark clot begat”

He would say as he was waiting for his naam bread and his bhaji

Like some hungry little Hitler rocking ‘rat arsed and Faragey’

It was painful, and embarrassing, it filled me with dismay

It was always, it was everywhere, and every flippin’ day

And yet really, to be honest, was I not as bad as he

All smug in my self-righteousness “I’m not a racist, me”

Sticking proudly to my principles in public mass debate

Whilst I broke bread with the shit and chose to zone out all his hate

In all that sick scenario ‘twas me that was the joke

I was the girl who sold her soul because she loved a racist bloke

*

© Gail Foster 2016

 

Smoke And Roses Blow

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A Villanelle

*

Beyond the veil where daylight fears to go

Behind a swathe of heavy silken mist

The heady scents of smoke and roses blow

Along the paths that secret lovers know

Are wood and blossom tangled in a tryst

Beyond the veil where daylight fears to go

Within the subtle stream’s beribboned flow

Whirl pools of love and darkness in a twist

The heady scents of smoke and roses blow

The sun sinks in to shadow smooth and slow

Through willing earth too wanton to resist

Beyond the veil where daylight fears to go

On perfumed air a drum beat, soft and low

In perfect time without a rhythm missed

The heady scents of smoke and roses blow

The wild in love the sacred orchards know

Who go to be by passion’s madness kissed

Beyond the veil where daylight fears to go

The heady scents of smoke and roses blow

*

© Gail Foster 2016

The Trickiest Mistress

*

Desire is the trickiest mistress

A strange unpredictable beast

Tickled by fancy and circumstance

Afflicted by famine and feast

A delicate matter to master

An unruly monster to tame

Lightening flash turning wood in to ash

Fickle wind flirting with flame

The shock of a shot in the darkness

Rending the fabric of reason

Twist of the moon in the bloodstream to

The flow of the earth and the season

A flicker of feathers, a furnace

A shaft through a crack in the gloom

A kingfisher flash, and a cymbal clash

Stunning a moth to its doom

The lustre of dew on the morning

The rushing of rain from the heights

Soft light of the haze of a lazy day

The scream of a curse in the night

Dark tryst, with the forces of fury

Sharp wound to the breast of the brave

Tears streaming forth from the altar

In penitence down to the grave

A hypnotist, haunting the astral

A soul sold for pennies to Death

Dark lies from the lips of a lover

Spake on a sorcerer’s breath

A trickster who picks the wrong moment

A joker who laughs at his joke

The strike of a flint over kindle and lint

Drawing flame from a nuance of smoke

A trigger, a shiver, a whip crack

As swift as a swallow in flight

A shimmering dust of desire and lust

On a mirror upturned to the light

How it craves for its own consummation

And seeks its own purpose to feed

A bottomless well that can never be full

A cup all half empty of mead

‘Tis a mare that the Gods cannot master

As the wildness of wind in a tree

A force as elusive to harness

As the unbridled waves of the sea

Desire is the triskiest mistress

The riskiest creature to catch

For there in her eyes and the cleft of her thighs

May morality meet with its match

*

© Gail Foster 2016

 

Reasoning with Icarus

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Icarus, mate, come on down from that ledge

Lest a mischievous breeze tip you over the edge

Icarus, mate, you’re a worrying sight

And your winged silhouette is obscuring the light

Begone, Doubting Thomas, stop talking to me

I am glittered and feathered and wild and free

The skies sparkle sapphire, the winds are all still

And I’ll do what I wish, and I’ll fly as I will

Icarus, dude, you’re just not talking sense

And you’re coming across as unwisely intense

Your delusions of flying are frankly absurd

Mate, don’t get me wrong, I’m just having a word

And what would you know about flying with wings

You with yer earthly material things

Go crawling back under yer sensible stone

And leave my ethereal being alone

Icarus, mate, we all know you’re odd

Just a little bit Satan, a little bit God

You can call me a stick in the mud or a liar

But Icarus, mate, you are Not the Messiah

Fool, look at my wings, and admire my glory

Generations to come will be telling my story

As I shimmer with beauty, all shining, transparent

Oh, see me and weep, I am spirit apparent

Icarus, friend, it’s like clearly your call

But isn’t it rather a long way to fall

Come down, smell the flowers in the meadows of Crete

For the grass on this side is as lovely, and sweet

You’re bugging me, friend, you’re a bee in my bonnet

Bear your own cross and hang sighing upon it

Put down your bow and desist with your arrows

And go back to flying with pigeons and sparrows

Icarus, mate, you’re as high as a kite

It so pains me to see your precarious plight

And unlike the Devil, I’m here to insist

That you turn from the edge, and like Jesus, resist

The breeze stirs my wings, all my quills are a quiver

I am flustered with light and electrical shiver

As I fill up my lungs with cold rarified breath

I am all full of grace, and not frightened of death

Icarus, mate, don’t do it, don’t do it

Come down from that height and we’ll sit and talk through it

For this lyrical mystical flight you intend

Is madness, just madness, my mythical friend

Talk to the wings, for I can’t hear you now

Hazy legions of angels are kissing my brow

No dark lamentation or dubious prayer

Will stop me from drinking the wine of the air

So I watched in dismay, as Icarus flew

For a moment he shone like the sun on the dew

I told you, he shouted, triumphant with glee

As the hint of his shadow swam light on the sea

There was pain in my heart, and a tear in my eye

For a moment I thought, perhaps he will fly

Then I watched in dismay, as he dropped like a stone

In a flurry of quills, and of wax, and of bone

Oh we all die alone, it is said by the wise

All dissolve in the sea, or are took by the skies

But black is the comedy known by the dead

For I died when Icarus fell on my head

*

© Gail Foster 2016

All Out For In, Boys; Vote Remain

I’m all out for In, Boys, I’m all out for In

I’ll not consign dear Europe to the bonfire or the bin

We’ve fought too many flippin’ wars to call this thing a day

And isn’t such division just a little bit passé?

We’re a tiny little island, all surrounded by the sea

And the days of the Empire are consigned to history

Let’s not be cast adrift, Boys, in some Captain Pugwash boat

Vote to stay in Europe, Boys, it won’t dry up the moat

What say you?  Immigration?  What, the white ones or the black?

Which ones, which precisely, are you wanting to send back?

The ones who work for naff all cash, in dirt and sweat and mud?

Or the ones who ran from ISIS just to save their children’s blood?

What say you?  Benefits?  Well now, you’d best look in to that

It isn’t quite that easy for them all to get a flat

There’s rules to do with public funds, and residence as well

And doesn’t all that tax evasion leave a nasty smell?

And what about Intelligence, and Military Alliance

Employment, the Economy, and Human Rights compliance?

What will happen if we leave, well, lovely Boys, it won’t be pretty

There’ll be rhetoric on rhetoric, committee on committee

And all of flippin’ Europe will be looking down its nose

“You’re not with us, you’re against us” will be how the anthem goes

And Boris, hey don’t start me off, don’t listen to the bloke

Unless you went to Eton you’re the punchline of his joke

“More Bolly, Boris?”  “Do you know, I don’t mind if I do

Oh dear, I fear I’ve drunk the lot, and now there’s none for you”

And Dave isn’t much better, though he’s talking far more sense

Hey, even Ms Claire Perry’s on the right side of the fence

And what about the Berlin Wall, the night that it came down

You could hear the cheers from Germany from old Devizes Town

We all thought that was progress, some sure sign of evolution

How can leaving Europe be a sensible solution?

And would you trust the Government to sell you a used car?

I’d rather have them supervised by Europe, thank you, ta

So, Votey McVote Face, it’s all down to you

I’m all out for In, Boys, and I hope that you are too

*

© Gail Foster 2016

 

The Work; Summer Solstice, Avebury

Written for the Gorsedd of Caer Abiri, Avebury, Wiltshire;

a Druid rhyme of seven verses

***

Across the land this morn, a roll of light

Gave birth to shadows, cast from chalky hills

The larks ascended, sang away the night

Vibrated sky to waking with their trills

‘Tis Summer; round the circle swirls the breeze

As darkness yields unto the swell of day

As every meadow hums with birds and bees

And scent of elder steals the breath away

This is the time, when earth craves heaven’s kiss

All full of lust, all bursting in its bloom

All lost in heady momentary bliss

Before the fall, and crashing down to doom

Now comes the wren, as if from nowhere blown

Within its beak a lively twig of oak

And suddenly, forth from a door of stone

Springs sacred fire, and wild midsummer smoke

And from within the smoke the King appears

From black stream spilled, the son of mountain high

With shield burnished bright by virgins’ tears

And salamander flame within his eye

Upon his head a crown of acorns sits

He holds a horn of gold from faery lands

Across his face a flick of fear flits

He plants his feet on earth, and solid stands

And She; blue butterflies around her head

Bare breasted, barefoot, riding a white mare

With piercing speedwell eyes to blind the dead

And poppies red all woven in her hair

She rides, in to the circle, on her horse

Dismounts in silence, looks him in the face

Above them both, the sun, stopped in its course

For here is now, and only now, this place

He touches her, he places sword to cup

She speaks some ancient magic without sound

Above their heads the heavens open up

Bright waterfalls of light pour to the ground

She touches him, and fossils shake from sleep

Electric rivers rise with shock and force

To flood the sky with fire from the deep

All light in circuit, flowing back to source

Just now, oh now, now come, now come; now gone

All energy subsides, and colours dim

They rise up from the ground they laid upon

He steps away, and bows, and She to him

A feather from a lark falls gracefully

To land among the flowers where they sat

He fades into the smoke, and so does She

And so The Work is done, and that is that

The wren returns, and sits upon a stone

A holly berry glistens at its feet

It sings a song through all the ages known

A song of earthly bliss, and heaven sweet

For all the Gods are one God, sang the wren

All Goddesses one Goddess, ‘neath one Sun

And we are one another, Gods, and men

As God and Goddess, joined together; One

***

© Gail Foster 2016

 

The Last Dark Magic of the Keys

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The time is now, you said, let it be done

I come to cause you one last piece of pain

You chose a day in summer when the rain

Fell soft upon the road like private tears

To work the last dark magic of the keys

There was a time, and not so long ago

I held your key like Smegal held the Ring

As if the holding of it meant some thing

Some plastic crucifix, some rabbit’s foot

Some lucky anchor in the wild seas

The time has come, you say, for you and me

To stand before each other one more time

In some symbolic moment quite sublime

Where I shall fall before you like the rain

Like some dead broken rose, upon my knees

There was a time, not very long ago

You had the key to me, and to my door

But all your rights to me you have forswore

And I shall fain deny you this last wish

To see my tears, and your dark purpose please

For now the time is mine, so come, and go

Come find your key beneath my Welcome mat

Beneath a grey rock under gaslight sat

Before a door forever locked to thee

For I have for mine own heart mine own key

*

© Gail Foster 2016

 

Franklin the Flag Man; England, Devizes styly

This happened this morning, in Devizes…

Today, in The Vize, there is rain, falling in a warm fine drizzle through the grey of the morn.  As I lock the church and walk to my bicycle I see a man with a flag, by the flag pole at the War Memorial on Long Street.  He is small and elderly, with bright eyes, and is wearing a cap.

I’m interested in watching him put up the flag.  There has been debate on a local Facebook site about the correct way to display it, and I can never remember which way up it goes.  It’s the Sunday after the Queen’s birthday, and there will be a Parade.  I say hello, and he smiles in a friendly manner.  He’s Irish, and could have been a jockey, perhaps.  He’s from the British Legion.  “They call me the Poppy Man” he says.  He’s happy to let me watch, and humours me for my interest.  He shows me the line and the toggle, and explains that the correct way to display the flag is with the broad white band uppermost on the top right.  “Apparently lots of people display it wrong” I say.  “Well, now, that would mean distress” he says, and tells me about how the flag was displayed like that during the Indian Mutiny.

I’m English.  I ‘identify’ as English.  My Great Aunt Betty, who wore a silk turban, was a genealogy enthusiast, and traced my family on my mother’s side back to the twelfth century.  I am related to a strange poetess who lived in a nunnery on the Isle of Man, someone who apprehended Guy Fawkes, and a young bloke who managed to get out of being executed for the Mutiny on the Bounty because he had friends in high places.  We were vicars and ladies-in-waiting.  We ended up being what used to be termed lower middle-class.  My grandad was a clerk.

I am a liberal patriot.  I’m entirely uninterested in sending anyone back to somewhere they may have arrived at from here anyway.  Come and live in my country, by all means, whatever the colour of your skin.  Chances are I’m dimly related to you anyway.  Practice your culture as you will, but don’t compromise mine.  Pay your taxes if you can, and don’t chop up yer daughters.  Understand that, if this is Rome, certain things have to be done as Romans do them.  I’m sorry that you have to do all the dirty badly paid jobs that the English feel are beneath them.  I hate racism.  I love you.  We are one another.

I’m ambivalent about the monarchy, but I respect the Queen.  When she was young, she looked like my Mum.  I don’t want anything bad to happen to the Royal grandchildren.  In my view the Queen is as much responsible for the crimes of history as I am for the Inquisition.  But the wealth is embarrassing, and the Duke of Edinburgh is not my homeboy.

Oh how I love my country, with a passion; every green and rolling hill of it, every church, every tower block, every blade of grass, every hymn on the wind, all the palaces, the pictures, the books of our history, and our circles of stone.  I belt out ‘Jerusalem’ in church like there will be no tomorrow.

Here we are, me and Franklin, at the flag.  He shows me a sheet bend, and chats.  His mother had a sense of humour, he says.  His name is really George, but she had the habit of calling her children by their middle names.  He handles the flag with reverence, paying great care to securing the knots.  He tells me that he takes even more care since once he didn’t secure the flag properly at the bottom, resulting in it flapping inappropriately wildly on the mast.  He tells me about the time all the little crosses, each with the name of one of the Devizes fallen from the first two World Wars, were planted in sand by the Memorial.  He hoists the flag.  It sticks to the mast behind the rope and he shakes it a little to free it.  I wish that I could take a photograph, of Franklin and the flag at the War Memorial, but it is still drizzling on the two of us.

I shake Franklin’s hand, and thank him.  He smiles at me.  Franklin with a ‘i’ and not a ‘y’, I establish.  He walks one way and I walk the other.  But hang on, who is that looming grey figure with a dodgy looking hand-held machine by Franklin’s car?  Franklin has chosen to park on the road by the War Memorial near the zebra crossing, and Community Enforcement Officer WN085 is looking awfully smug.  It’s an ‘immediate issue’, apparently.  He’s too near the zebra crossing, Franklin.  It’s Sunday, just before nine, and there is no-one in sight other than Franklin, WN085 (who has a faint air of Cyborg about him), and me.  I am a strange poet, and I am not happy at all.  “Are you going to give him a ticket?” I ask, striding towards him.  “Yes” says the Cyborg.  He likes his job.  “But he’s putting up the flag for the Parade,” I say, “is there no scope for a warning, in this circumstance?”  WN085 thinks not.  Franklin is still smiling, disguising his frustration admirably even though he is, understandably, slightly miffed.  “It’s OK,” he says to me, “don’t you worry.  I’ve broken the law, and that is that.”  I appeal to WN085 one more time.  The sound of stuff falling on stony ground is deafening.  He won’t be influenced by strange poets, or patriotism.  He wouldn’t know how to climb out of a box, never mind think outside of it.

I know when a battle is worth fighting, and when it isn’t.  I say goodbye to Franklin, and he smiles and gets in his car.  I have enjoyed meeting him, and am grateful for the flag lesson.  I am sorry that he has got a ticket for his pains, but have been blessed to share time with him.  I walk to my bike.

WN085 strides purposefully towards town feeling well pleased with himself.

This, my friends, is England.

© Gail Foster 2016