Waiting For You; The Return of the Light

Winter Solstice Sunrise 2016; Avebury, Wiltshire

*

I have waited for you

Where no shadow seeps

Deep in the earth

Where the slow damp creeps

Under the stones

Where the sunlight sleeps

I have waited for you

 …

I have listened for you

In the eaglet’s cry

In the echoes of rooks

In the empty sky

In a new-born’s breath

And a dead man’s sigh

I have listened for you

 …

I have looked for you

Where the elders grow

Followed your steps

Through the virgin snow

Through groves of yew

And mistletoe

Looking for you

I have watched for you

By the door and the gate

Risen up early

And lain down late

Doubted your love

And cursed my fate

Watching for you

 …

You said you would come

You said that you will

Appear as the dawn

On the curve of the hill

I have waited for you

Through the dark, and the still

You said you would come

 …

I lit you a fire

I kindled a flame

In the fear of the darkness

I called out your name

I thought I was dying

And then you came

You said you would come

 …

And here you are

The promise of light

Sweetening silence

And softening night

And all shall be well

And be blesséd delight

You said you would come

 *

© Gail Foster 21st December 2016

 

 

 

Advertisements

‘Smoke and Roses’ and ‘Takin’ the Pith’

This week I published two books, which are available on Amazon and through Devizes Books

*

The first, ‘Smoke and Roses’  is saucy, serious, and sweet, and the second, ‘Takin’ the Pith’, does exactly what it says on the tin.

I guess that ‘Smoke and Roses’ is my mythology.

Both contain poems and prose in different forms, and the language is edgy in both.

There will be some content that you have not read.

I hope you like them.

Thank you so much for your interest.

Gail

What’s it about for you, then?

img_2171-2

*

What’s it about for them, then

Loneliness, poverty, pain

Bang of the bailiff at the door

Death in a ditch in the rain

What is it like for the Joneses

Bigger and better you think

Posh port and pigs in blankets

Sick in the kitchen sink

What’s it about for him, then

A clock, and an empty chair

Picture of her on the mantelpiece

Candle smoke curls in the air

What is it like for her, do you think

Hairdo and heels and hurrah

Hampers and champers from Harrods

Packed in to Daddy’s car

What’s it about for the Christians

Return of the sacred child

Under a star in a stable bare

Jesus, meek and mild

What is it like for the Druids, then

Stood in the circle at dawn

Frost on the moss on frozen stone

Lit by the sun reborn

What’s it about for the children

Mysterious, glittery, bright

Hope of a mythic benevolence

Come as a thief in the night

 …

What is it like for us, then

Rushing and spending and stressing

Cursing the souls in the queue at the till

Kissing a friend with a blessing

 …

What will it be like for you, then

What will you will it to be

Riotous ostentation, or

Peace and sweet charity

 …

What it’s about for me is this

One white and holy dove

The silence after the shops have shut

And love

 *

© Gail Foster 3rd December 2016

 

 

 

 

 

 

 

My Muse Looks Like Morrissey

For Steve Doolan

*

The mysteries of muses lie within the hands of fate

Your muse may be your lover, or your muse may be your mate

The stranger on the corner, or the friend you used to know

The somebody you’ve never met who makes your juices flow

The one who sang the joyful song that set your heart alight

The one who wrote the rhyme that left you crying in the night

The ways of love and poetry defy all sense and reason

But every rhyme will have its day, and every love its season

The comedies of muses tickle mischief from the pen

Therefore the fates have given me a wonder amongst men

A muse who looks like Morrissey.  It’s true, I kid you not

I only chucked a line or two and this is what I got

Apparently it’s good for when one’s pulling on the lash

Or busking on the corner when one’s rather short of cash

I’m confused, and yet besotted, I am this, and I am that

Anyone but Morrissey.  I just can’t stand the twat

The irony’s amusing, though, I’m moved to write a rhyme

The difference between the two is really quite sublime

One will make you slit your wrists or have a little cry

The other stir your ass upon the dance floor till you die

One drones on and on and makes a proper old palava

The other shows, not tells, a bit more like your Raymond Carver

One is needy, wan, and wafty, like a pampas in the yard

The other, slightly weedy, yes, but dare I say it…hard

Oh, the mysteries of muses are a monster to define

I’ve ended up with one that looks like Morrissey as mine

For a moment, or a season, none may know or yet can say

But I shall take his inspiration, for a year or a day

And his rampant positivity and witty observations

On the ins and outs of Haworth, Keighley, and the other nations

For the bugger has me heart aflame and all me neurons fired

Sigh.  He looks like Morrissey.

He’s hired.

 *

© Gail Foster November 12th 2016

If the reader is unfamiliar with the work of Morrissey

or is simply up for a good laugh

just check out the music video ‘November Spawned A Monster’…

The Souls of Spring’s Children

img_0295

*

softly, whispering

featherfalls on silent stone

winter, gravity

lost in the fog, birds

grieving morning voicelessly

remembering love

dead diamonds, ditches

glittering cold promises

fossil furrow froze

darkness, deepening

the womb and the grave hiding

secrets and shadows

in the ground, waiting

the souls of springs children sing

muffled lullabies

 *

© Gail Foster 2016

Crying for Light

img_9904

*

Be still, can you hear the drum, the drum

Hear it beat like a heart in the heavy night

Hold on to your soul, for the dead are come

To look to the living for light

Ashes and sulphur, blood on stone

Lavender, lilies, and roses blown

 …

Out of the mist, they come, they come

Through the slip of a stitch in the hazy veil

With their feet all bare, and their faces pale

The dead come, crying for light

 …

Lavender, lilies, and roses blown

Ashes and sulphur, blood on stone

 …

Out of the past they come, they come

From the shadowy halls of history

From the battlefield, and the hungry sea

The dead come, crying for light

 …

Ashes and sulphur, blood on stone

Lavender, lilies, and roses blown

 …

Out of the earth they come, they come

From the cold of the grave at midnight’s bell

From the harrowing heat of the fires of hell

The dead come, crying for light

 …

Lavender, lilies, and roses blown

Ashes and sulphur, blood on stone

 …

Out of the dark they come, they come

With their winding sheets and their cobweb hair

With their violent curses and innocent prayer

The dead come, crying for light

 …

Ashes and sulphur, blood on stone

Lavender, lilies, and roses blown

 …

Out of their minds they come, they come

Who are lost in the maze of space and time

Who are seeking the grace of a love sublime

The dead come, crying for light

 …

Lavender, lilies, and roses blown

Ashes and sulphur, blood on stone

 …

Be not a-feared when they come, they come

Be as still as you can, and touch them not

Show them the way to the light forgot

Love them, and let them be

 …

Be gone

In to the light they go, they go

To the glow at the end of the tunnel’s gloom

To the source of the scent of the rose’s bloom

In to the light they go

 *

© Gail Foster 30th October 2016

img_4298-2

Plump Fruits; for a randy friend

14732283_10154665198902938_4003508327600405940_n

Ha ha, Girl, you know who you are…

*

I meet her sometimes when I’m walking

She’s as ripe as the fruit in the hedge

Today on the corner, she’s talking

Of the virtues of sex, and of veg

 …

She shows me her favourite carrot

Like a rabbit, she says, oh I see

I’ve read about those in me garret

They look a bit scary to me

My voice gets her all of a flutter

Oh bless her, so randy, but sweet

Like the apples she turns in to butter

And the jam that she makes for a treat

 …

We both prefer men, she’s just flirty

And her light innuendos are fun

Next to her I feel slightly less dirty

And more like a well behaved nun

 …

Oh, she fizzes like sherbet fountains

And no rose be as fresh, or as pink

And as for the plump of her raspberries, well

I’d best leave it there, I think

 *

© Gail Foster 28th October 2016